tag:blogger.com,1999:blog-4770621992569947632024-02-20T09:01:38.397+08:00Film MacauFilm is not dead, we shoot Filmby dennio Longhttp://www.blogger.com/profile/07644877997480473840noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-477062199256994763.post-74116036710757553322014-08-03T19:20:00.003+08:002014-08-05T22:17:42.635+08:00青洲坊城市發展不停步,不論是有章地還是無章地進行,總是有人歡喜有人愁,<br />
青洲坊完成了她的歷史任務,逃不過被拋棄的命運,<br />
被遺棄不單單是建築,還包括人心,人情與回憶<br />
我們這些活在外圍的人,只能從照片中尋找...<br />
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<br />by dennio Longhttp://www.blogger.com/profile/07644877997480473840noreply@blogger.com0tag:blogger.com,1999:blog-477062199256994763.post-35209411151978619732013-10-17T15:24:00.000+08:002013-10-17T15:58:46.127+08:00My favorite wide angle lens- Elmarit M 24 asph<div class="separator" style="clear: both; text-align: center;">
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最喜愛的135 廣角鏡頭<br />
<b><span style="font-family: Courier New; font-size: large;">Elmarit M 24mm ASPH</span></b><br />
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<span style="font-family: "Courier New", Courier, monospace;">由於工作需要,對廣角鏡有一定要求,開始接觸廣角鏡是一眾28mm,拍人物和小品是很好,但用來拍建築總覺得差那麼一點點,後來又試著大路的21mm和15MM超廣角,都不太好控制,主體建築顯得太小,虛位太多(技術不好之故),後來發現有一支被Erwin Puts稱為"A landmark design in the M series...without a doubt a masterpiece..."的2,8/24MM、綜合自己的實際需要,好像是不錯的選擇,結果當然就是敗了一支,一用就感覺非常順手,這是最重要的,又要套別人一句話,"RF鏡基本上沒有一支是差的,差別只在使用者手上",這句話對經濟條件不好,不能經常敗家的人來說是最大的安慰!</span></div>
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連結資料:<br />
http://www.l-camera-forum.com/leica-wiki.en/index.php/24mm_f/2.8_ASPH_Elmarit-M<br />
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最大的缺點,便是要外置取景器,多有不便,但實際使用上還算可以,因為是廣角鏡,街拍時基本不用對焦,如果不想用取景器,還有一方法,如果M機是0.72的,把眼晴移動一點點,看到的邊界便是24MM的取景範圍,九成五準確,只是取景慢一點點,因為原厰取景器實在是貴!!!<br />
第一筒實拍<br />
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用來街拍實在是方便!舉手就拍,成像也結實,沒其他ASPH鏡強烈<br />
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變型也控制得很好,透視感強,也不超過<br />
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始終非球面鏡味道是缺一點,但對以拍建築為主的我是很不錯的 <br />
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葡國實拍:<br />
去旅行是驗証器材的好時機,因為需要大量的密集的使用,也是對自己的磨鍊!<br />
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對比度高之餘也不失高低細節 </div>
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色彩真漂亮! <br />
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圖表上顯示畸變沒ZM25出色,但我基本上不察覺,但暗角比ZM好,這也是我二選一選中這支的原因(當然也有一點點LEICA情結吧...HEHE...)<img border="0" src="http://farm7.staticflickr.com/6106/6278585405_3ab255a6c9_z.jpg" /> </div>
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這教堂我十年前去的時候,怎拍也拍不全,也拍不出這種感覺,對我們這種俗人來說,還是器材先決重要!哈! </div>
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可惜沒人往門窗外望,就缺那麼一點點角度,這可是有生命危險的~</div>
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舉手就拍,只要夠近,出片子機率還算高@ <br />
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<br />by dennio Longhttp://www.blogger.com/profile/07644877997480473840noreply@blogger.com0tag:blogger.com,1999:blog-477062199256994763.post-90474928672128493942013-02-26T15:45:00.007+08:002013-07-11T10:25:35.884+08:00My favorite 50mm lens- Summicron DR最喜愛的135 50mm鏡頭-Summicron DR<br />
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<strong><span style="font-family: Courier New; font-size: large;">Summicron DR 2/50</span></strong><br />
<span style="font-family: "Courier New", Courier, monospace;">這是一支書寫Leica鏡頭傳奇新里程的經典鏡頭,在網上隨隨便便就能找到一大堆資料,以及眾多的溢美之詞,與M3一樣,是眾多經典萊卡相機用家的最愛,其歷史、結構、測評、技術分析等等資料我就不用再多說了,最大的願望,便是能用好一支優異鏡頭,只有長期的、大量的使用,才能總結出自己的使用經驗,才能給出中肯的評語,才對得起設計團隊付出的努力.</span><br />
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簡單的說,語是最經典的50mm鏡頭(不單單指萊卡中),擁有萊卡鏡頭中最強的近攝能力,超高的中心解析度和立體感,中等反差,高低光過渡平滑,也是最漂亮的鏡頭之一.<br />
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加上近攝鏡的樣子,從造型細部和鍍膜上區分可分為三期,一般認為第三期的鍍膜性能最好,上圖便是.<br />
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實拍:<br />
使用了兩年,感覺是愈用愈喜歡,也愈來愈熟悉其皮氣,她絕不會讓你失望,如果是認真和用心使用的說話,很多人或會說,這是一支平庸的鏡頭,或許他們說錯,沒有火辣的色彩,沒有令人驚艷的散景,我只能說,她拍出來的,正是我想要的.<br />
這不是什麼測評報告<span style="font-family: Courier New;">、心得</span>或分析,只是個人的使用感受,極其量只能說是分享,是炫耀?那更不可能,只是希望能多拍拍多走走.<br />
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如果你跟我一樣,是萊卡新手,同樣地是資金有限,我是強烈建議使用這支經典鏡頭,或許很多其他影友有更多建議,但我認為,這支中規中矩的好學生,你是不能錯過的!!!</div>
by dennio Longhttp://www.blogger.com/profile/07644877997480473840noreply@blogger.com0tag:blogger.com,1999:blog-477062199256994763.post-72927033067934760502012-08-17T15:12:00.001+08:002012-08-17T15:20:31.490+08:00First time Travel with Film<strong>菲林機初次外遊<span style="font-family: "Courier New", Courier, monospace;">-2010</span></strong><br />
<strong><span style="font-family: Courier New;">rolleiflex Automat 75/3.5</span></strong><br />
平常帶著雙反去掃街,或者是拍一些家庭照,花花草草,朋友一定會說,好重呀!很不方便,女朋友更會說,磚頭甘重!所以,把握一次歐遊機會,一定要好好實踐實踐!...<br />
剛好又進了一台 75/3.5,重量不算太重,正好用來試機,可惜只帶了四筒假黑白菲林,遺憾...<br />
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第一站,便是<span style="color: black;">心慕已久</span>的水都威尼斯,和澳門的威尼斯人真的差很大!<br />
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<span style="font-family: "Courier New", Courier, monospace;">這是遠離市中心的效區,很多貨運船隻,但也都很漂亮~雖然有很久感的味道,還是佷整潔的~</span><br />
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<span style="font-family: Courier New;">美術學院外的橋上拍的,無論那個角度拍都漂亮!</span><br />
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某大宅的窗台,不知這獅子經歷了多少風霜...但還是能感受到當初工匠付予的神韻!<br />
其實75/3.5算是低階機,散景也不錯吧~<br />
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第二站 佛羅倫斯!<br />
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最精彩係參觀博物館,終於有機會接觸以前只能從畫冊上看的大作!<br />
呢個咪就係布魯內列斯基設計大穹頂!只有身在其中才能感受前人的成就!<br />
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爬了二十分鐘才登頂,還要背著沉重的雙反相機...但還是值得的.<br />
在穹頂上鳥瞰舊城區!人家這樣子才有資格叫個世界文化遺產...澳門...差太遠了!<br />
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第三站 羅馬<br />
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呢條之吾係人人都坐係度食雪糕GE西班牙廣場!其實d人就真係為左坐係度而坐係度lo,我覺得...的確,甘GE設計係好獨出山上的教堂,不過點解要坐係度呢...我估係因為成個羅馬都無咩公共座的椅子吧...<br />
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其實呢篇絕對吾係遊記,因為大部份其他相都係用數碼機影,重點係,帶菲林機去旅行,吾係無可能,或者吾實際的事,係呢此之後,菲林機已經成為我GE主力機了!by dennio Longhttp://www.blogger.com/profile/07644877997480473840noreply@blogger.com1tag:blogger.com,1999:blog-477062199256994763.post-40832545603041264112012-06-07T10:47:00.003+08:002012-07-12T10:57:06.551+08:00First touch- by FILM<strong>最初的感動<span style="font-family: "Courier New", Courier, monospace;">-2009</span></strong><br />
自中菲林毒後,除了偶然拿起<span style="font-family: "Courier New", Courier, monospace;">SIGMA DP1</span>和公司的單反外,基本上和數碼攝影斷了聯繫,<br />
不停的購買菲林機,除了因為”型”和操控手感之外,最重要的...就是相片質量!<br />
最初的感動,便來自於此!把第一次沖燒的菲林拿回家在電腦上看,立刻呆住了,<br />
資深的影友會告訴你,在電腦上看菲林掃描,只是發燒初階,如果用幻燈片或放大至20寸,一定會即場暴斃!<br />
那一刹有多深刻...還沒有忘記...<br />
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第一筒<span style="font-family: "Courier New", Courier, monospace;">120 by Rolleiflex 2.8A, Kodak pro160</span><br />
原圖<br />
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<strong>對於只拍慣了傻瓜數碼機的我,真的是挺開眼界的,就算後來有機會與頂班單反相比,還是說服不了自己不玩菲林!</strong></div>
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原圖</div>
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這種質感是現在量產數碼相機沒法給予的...還有,這是用一支銳度有問題的鏡頭拍的!</div>
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原圖-高圓街已拆的公務員宿舍,氣氛多對!</div>
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尤其是對於還是新手的我來說,簡直不敢相信自己能拍出這種質素的照片!(你可以笑我見識太少HA~)</div>
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這是很美妙的事情,滿足感超級強,多得器材的幫忙,才能輕易取得,如果在其他方面要取得相同的成就感(對個人來說),實在是太困難了!難怪這麼多人玩攝影了~</div>
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當然,<strong>使用菲林的好處除了相片高質量外,更重要時,能使自己學得更多,學得更快!</strong></div>
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阿門!</div>
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<br /> </div>by dennio Longhttp://www.blogger.com/profile/07644877997480473840noreply@blogger.com1tag:blogger.com,1999:blog-477062199256994763.post-35585595407204489932012-06-06T13:00:00.004+08:002012-06-06T13:40:11.358+08:00Rolleiflex Original K611/K612 - my oldest Camera每一次購物,總要找個借口,有了上次經驗,這次就更容易了!<br />
”這是1929年,最原始最早的量產雙反相機,雙反愛者,總也得去體驗體驗一下吧”<br />
其實這又如何?最早又如何?保值嗎?不!因為使用實在不方便,不能直接使用現在的120包裝菲林,<br />
因為相機的菲林倉尺寸不一樣,要先把菲林替換至原裝的菲林轉軸上,要在黑袋內進行,或者像我,在漆黑房間的衣櫃內摸黑操作...這又何苦呢?<br />
就是為滿足好奇心,一嘗八十多年前的先進拍攝過程!(實拍過程的確麻煩)<br />
你問值得嗎?我當然說值得,不要輕易自打嘴巴呀~每次有訪客來,告訴他們這是八十多年前的老相機,還能工作的,看著他們靜靜的坐在防潮箱內,感覺挺爽的!<br />
老實說,這方方正正的造型,實在很對我口味,細部也特多,優雅的蝕刻字和手工組裝零件,所有東西都明明白白的,和之後的工業實用風格很不同,光看看摸摸就開心了,<br />
這就是玩具的樂趣~<br />
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先後收進了兩台,一台75/4,5,一台75/3,8,除鏡頭外,在機身的造工和設計也有點少不同,由於是初始產品,不停的改進也是正常的,但基本設計原理一直沿用至各後續機種.<br />
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Rolleiflex Original K612, Tessar 75/3,8<br />
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<a name='more'></a>f3,8的蔡司鏡頭,快門調節環周邊有漂亮的蝕刻花紋,很有韻味<br />
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Rolleiflex Original K611, Tessar 75/4,5<br />
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Compur 300快門,轉動快門調節環設光快門,左則撥桿上弦,右下方為快門按鍵<br />
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實拍效果也算不錯,先看片~</div>
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<strong>這就是中幅的魅力!除了懷舊的彩色風格,很難看得出是八十多年前相機拍的,</strong></div>
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<strong>色彩清淡優雅,細緻,還原力很強,解析度和對比度適中,</strong></div>
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<strong>黑白片更是絕炒!單就成像效果來說,你還能要求這老爺爺什麼嗎?</strong></div>
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<strong>真不明白年年花大錢更新數碼相機是為什麼?!</strong></div>
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規格資料:</div>
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<span class="techtitle"><span style="font-family: "Courier New", Courier, monospace;">Original Rolleiflex 6x6 K1</span></span></div>
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<span class="techtitle"><span style="font-family: "Courier New", Courier, monospace;"><strong>Model 610 </strong>(prototype)<br /><span class="date">December 1928</span>, 10 pieces<br /><em><u><b>Model 611</b><br /><span class="date">January 1929 - July 1929</span>, 2500 pieces<br /><b>Model 612</b><br /><span class="date">April 1929 - July 1929</span>, 820 pieces</u></em><br /><b>Model 613</b><br /><span class="date">August 1929-Febr.1932</span>, 10850 pieces<br /><b>Model 614</b><br /><span class="date">August 1929-Febr.1932</span>, 21000 pieces<br /><b>Serials (all models)</b>: 1 - 1999.999</span></span></div>
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<span class="techtitle"><span style="font-family: "Courier New", Courier, monospace;"><strong>Taking Lens</strong>:<br />Zeiss Tessar 4,5/75 (model 611,613)<br />Zeiss Tessar 3,8/75 (model 612,614)<br />Filter size 28,5mm<br /><b>Finder lens</b>:<br />Heidoscop Anastigmat 3,1/75mm<br />Filter size 24mm<br /><b>Shutter</b>: Compur, 1 - 1/300 sec., T & B<br /><b>Film</b>: 6x6, B I (117)<br /><b>Film Transportation</b>: winding knob, red window for exposure number on back, film pressure plate without color coating. Manual shutter tensioning.</span><b><br /><span style="font-family: "Courier New", Courier, monospace;">Dimensions</span></b><span style="font-family: "Courier New", Courier, monospace;">: 13.2x8.5x9.0cm<br /><b>Weight</b>: 715 grams (f 4.5), 722 grams (f3.8).This model did not have a hinged back. The camera was often converted to accept the newer 620 and 120 roll films.</span></span></div>by dennio Longhttp://www.blogger.com/profile/07644877997480473840noreply@blogger.com1tag:blogger.com,1999:blog-477062199256994763.post-37082827877905774342012-06-05T17:34:00.001+08:002012-06-05T17:47:05.709+08:00Rolleiflex Automat - ebay first try人家說,ebay是邪惡的...一點都沒錯,這台Tessar f3.5/75mm便是在ebay淘來的,都己經有了第一台雙反,都一樣是天塞的,為什麼還要多一部呢?!<br />
這就是ebay邪惡的地方,因為實在太便宜了!一台機,加上兩組近攝鏡,數片黑白濾鏡,原裝皮套,鏡頭蓋,相機包,6X6轉135配件...實在是太化算了!如果每件都分開淘,肯定要多一倍價錢,這都只是借口,不就是要滿足男人的購買慾嗎~HA~<br />
Rolleiflex TLR另一個使人著迷的地方,除了懷舊經典的造型,實在的操控手感外,便是每個型號不同鏡頭間的不同風格,各有味道,但同樣使人過目不忘!<br />
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這只是一個開始,直到現在還在這深淵中一直下陲...雖然是減速了,其實那只是荷包的反作用力起作用罷了...<br />
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和2.8的比起來,輕巧很多,那年去意大利就是帶了這台配數碼傻瓜機,很方便<br />
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操作簡單明白,bay I 配件也好配,</div>
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黑白片能充分體現天塞鏡頭的魅力和特質<br />
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威尼斯,不是澳門的威尼斯人呢...</div>
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對比度適中至高,風格較PLANAR和Tessar 2,8強烈,德味十足,中央解像度相當相當高,四角下降較明顯 </div>
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詳細規格資料:</div>
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<span style="font-family: "Courier New", Courier, monospace; font-size: small;">Rolleiflex Automat 6x6 - Model K4B</span></h3>
<span style="font-family: "Courier New", Courier, monospace;"><strong>Manufactured:</strong> 1954-1956 </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Serial: </strong>1.428.001 - 1.739.999 </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Finder Lens: </strong>Heidoscop Anastigmat 2.8/75mm </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Taking Lens: </strong>Zeiss Jena Tessar 3.5/75; Zeiss Oberkochen Opton 3.5/75; Schneider Xenar 3.5/75 </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Shutter: </strong>Compur - Rapid, 1 - 1/500 sec., T & B, self timer. M X sync. </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Film: </strong>6x6: B II 8 (120) & 35mm with Rolleikin 2 adapter set. </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Dimensions: </strong>14.3x9.0x9.5cm </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Weight: </strong>980 grams </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Notes: </strong>This model has a hinged dual format back with exposure guide. The special feature is a new EV related exposure scale. From serial 1.464.000 the EV coupling can be disengaged by pressing a button in the aperture wheel. From serial 1.700.000 the EV coupling can be disengaged with a switch in the aperture wheel. Also useable without modifications: Rolleimarin 2 under water housing and all current accessories.</span>by dennio Longhttp://www.blogger.com/profile/07644877997480473840noreply@blogger.com0澳門22.198745 113.54387322.1399385 113.464909 22.257551499999998 113.622837tag:blogger.com,1999:blog-477062199256994763.post-78040004066131907492012-06-04T14:21:00.001+08:002012-06-05T16:54:17.032+08:00Rolleiflex 2.8A - My first TLR第一次接觸雙反相機,是在小學時家中的一部海鷗雙反...<br />
在那年代,常用的都只能是傻瓜菲林機,有135的,也有APS的,家困,用過的相機都是問人家借的,1996年第一次出國旅遊,也便只帶著一部傻瓜定焦標鏡低級富士相機,去了葡國十天拍不超過五筒,那時一筒菲林十元,沖哂也要八毛一張,以當時的消費水平,對一個中學生來說,實在是貴(但相片質素絕對不比現在所謂中高階機差!),價格和現在差不了多少,現在有人說拍菲林投資很大,相比那些年,並不是事實...只是現在大家都習慣於數碼科技的方便罷了...<br />
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便是這一台,Rolleiflex 2.8A, Tessar T 80/2,8<br />
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是Rolleiflex 的第一台 f2.8,這是第一版,約生產了8000台<br />
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這型號在當時並不成功,是鏡頭設計問題,成像很軟,Rollei公司不得不回收更換鏡頭,這台並未有更換,鍍膜也很軟,成像風格很特殊<br />
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第一次買二手相機,其實沒什麼把握,在網上做了二個月的功課,最後選定了這型號,是基於沒多少預算,直上Planar 2.8沒這能力,也對自己將來投入的決心沒有底,這款在價錢和收藏稀有程度上是一個不錯的平衡,偶然在討論區看到一位香港網友要出,剛好他也要來澳門,這實在是太好了,二話不說就訂下來了,雙反相機確實是使人愛不捨手!<br />
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成像風格很柔美,油潤,對比度適中,色澤也很自然,天塞是四片結構,造到f2.8是比較少見的,如果和PLANAR比較,由是空氣接觸面較少,透明感較強,人家常PLANAR如油畫,油潤中帶銳利,那裏天塞2.8就像水彩畫,彩色淡淡帶水質的油潤!<br />
按現在的標準來說-銳利度太差了,郤有柔光鏡的效果,俗的說,還是很有風味的. <br />
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這就是缺憾美吧...<br />
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詳細規格資料:<br />
<span style="font-family: "Courier New", Courier, monospace; font-size: x-small;"></span><br />
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<span style="font-family: "Courier New", Courier, monospace;">Rolleiflex 2.8 A - Model K7A-Version 1</span></h3>
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<span style="font-family: "Courier New", Courier, monospace;"><span style="font-size: small;"><strong>Manufactured:</strong> 1949-1951</span> </span></h3>
<span style="font-family: "Courier New", Courier, monospace;"><strong>Pieces: </strong>7870 </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Serial: </strong>1.101.000 - 1.164.999 </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Finder Lens: </strong>Heidosmat 2.8/80mm </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Taking Lens: </strong>Zeiss Opton Tessar 2.8/80mm, Carl Zeiss Oberkochen, coated </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Shutter: </strong>Compur Rapid, 1 - 1/400 sec., B, X-sync. (Version 1) </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Film: </strong>120 for 12 exp. 6x6, and 35mm adapter Rolleikin 2. Version 2: 2-format back w. adjustable film pressure plate. </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Dimensions: </strong>9.4x10.4x14.3cm </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Weight: </strong>1,080 grams </span><br />
<span style="font-family: "Courier New", Courier, monospace;"><strong>Notes: </strong>This model was only exported into the USA. Interchangeable finder loupe. Parallax control.</span>by dennio Longhttp://www.blogger.com/profile/07644877997480473840noreply@blogger.com0tag:blogger.com,1999:blog-477062199256994763.post-44328116987610405142012-06-04T10:30:00.000+08:002012-10-03T16:29:36.545+08:00我的攝影網誌<span style="font-size: large;">自2009年買了第一部Rolleiflex雙反相機,重新回到菲林的懷抱後,對攝影的認識和態度也重新開始...</span><br />
<span style="font-size: large;">開始老了,記憶力也開始衰退了,所謂”臨老入花叢”,也學人家寫BLOG,希望在某年某月後,可以有一個重新檢視過去的機會...</span><br />
<span style="font-size: large;">今日正值某國家大日子,便以今天作始,忘記過去,努力沉醉,到底是為玩器材才攝影,還是為攝影玩器材...答案重要嗎?!HAHA~</span><br />
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雙反全家福 <br />
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萊卡全家福 <br />
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哈蘇SWC,只此一,台好孤獨呀...可惜沒能力幫你找個伴...哀~<br />
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以後再一一介紹各成員<br />
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by dennio Longhttp://www.blogger.com/profile/07644877997480473840noreply@blogger.com0